Dragon & Phoenix
content by Mr. Du Feibao
|The dragon and the phoenix are the principal motifs for
decorative designs on the buildings, clothing and articles of daily use in the imperial
palace. The throne hall is supported by columns entwined by gilded dragons, the central
ramps on marble steps were paved with huge slabs carved in relief with the dragon and
phoenix, and the screen walls display dragons in brilliant colours (see the Nine-Dragon Screen in Beihai Park). The names
in the Chinese language for nearly all the things connected with the emperor or the
empress were preceded by the epithet "dragon" or "phoenix"; thus,
"dragon seat" for the throne,
"dragon robe" for the emperor's ceremonial dress, "dragon bed" for him
to sleep on, and "phoenix carriage", "phoenix canopies" and so on for
the imperial processions. The national flag of China under the Qing Dynasty was emblazoned
with a big dragon. The earliest postage stamps put out by China were called
"dragon-heads" because they showed a dragon in their designs. Even today the
dragon is sometimes adopted as the symbol of Chinese exhibitions held abroad or the cover
designs of books on China printed by foreign publishers. "The Giant Dragon of the
East" is becoming a sobriquet for the country.
Belief in the dragon, and drawings of the imaginary animal, can be traced back to primitive society when certain prehistoric tribes in China adopted the dragon among other totems as their symbol and guardian god. Some of the recently unearthed bronze vessels of the Yin Dynasty, which existed more than 3,000 years ago, are decorated with sketches of dragons of a crude form. Earliest legends in China described the dragon as a miraculous animal with fish scales and long beards. As time went on, it became more and more embellished in the minds of the people, acquiring the antlers of the deer, the mane of the horse and the claws of the eagle -- in short, appropriating the distinctive features of other creatures until it became what we see today everywhere in the palace.
The Chinese phoenix, likewise, exists only in legends and fairy tales. Sovereign of all birds, it has the head of the golden pheasant, the beak of the parrot, the body of the mandarin duck, the wings of the roc, the feathers of the peacock and the legs of the crane; gloriously beautiful, it reigns over the feathered world. An early design of the phoenix can be seen on the silk painting discovered in a tomb of the Warring States Period (475-221 B.C.) near Changsha in Hunan Province.
The dragon and the phoenix often served in classical art and literature as metaphors for people of high virtue and rare talent or, in certain combinations, for matrimonial harmony or happy marriage. As an important part of folk arts, dragon lanterns, dragon boats, dragon and phoenix dances are still highly popular on festivals among the people of all localities.