|A Nazirkom originated in the well-known Turpan Basin and
is popular in Shanshan Toksun and Hami.|
According to one source, Nazir is a poor man's name, while
kom is the sound of drums. Long, long ago Nazir created
many dances satirizing the unscrupulousness of the reactionary rulers as a way of showing his opposition to oppression by the ruling class. His dances were warmly received by the people. As time went on, the working people gradually developed them into a kind of folk dance and called it Nazirkom.
Nazirkom is usually performed by men in couples in an improvisational way. The performers do not sing but dance to the singing of the band and other people. When the performance begins, the dancers display their own skills separately. As the tempo quickens, a contest of skills starts. First, two people display customary feats, one mimicking the other's movements and both dancing in fine teamwork. Suddenly one dancer presents a new and difficult movement to challenge his partner who not only follows but creates something else new. The spectators cheer on the performers to the rhythmic of the drums. Sometimes a silk flower or handkerchief is placed on the ground for the performers to pick up. One performer will challenge the other with particularly difficult manoeuvres to pick it up. The performance reaches its climax and conclusion at this point amid people's cheers.
A walking step is most often used. Bending the knees slightly and relaxing the upper body, the performer walks about, changing postures or mimicking different characters.
Light shoulder shrugs enhance the intimacy and humour of the dance.
With exaggeration and wit Nazirkom imitates movements from daily life, such as rolling thread, stitching a shoe sole, and making dough and noodles. It also uses a great variety
of squats, leaps, jumps and other movements.
The songs for accompaniment have special verses that in
the past described the love of young people or exposed greedy and tyrannical landlords and local despots.
The music for Nazirkom is free and lively with striking tempi. When the dance comes to its end, there is only the rhythmic beating of drums and people's cheers.
Instruments include the olijak, rawap, tambur, tambourines, suona and iron drums of eastern Xinjiang. Sometimes only suona and iron drums and an extra-large drum, mellow in tone, are used. Veteran drummers can beat different tones to match the changing mood of the performers and enhance the effect of the dance.